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How does Mona Stonefish weave concepts together to challenge the construction of ᐊᓂᔑᓇᐯᐠ (Nishnaabeg) and Onkwehón:we as damaged victims while also demonstrating the debilitating violence they have confronted?
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How does Mona Stonefish prioritize ᐊᓂᔑᓇᐯᐠ (Nishnaabeg)and Onkwehón:we communities and ᐊᐦᑭᐃᐧ ᐃᔑᓇᒧᐃᐧᓇᐣ (worldviews) in the face of criminal violations against their language, culture, and body sovereignty?
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How does she signal the strength and power of ᓂᑕᐠ ᐊᐃᐧᔭᐠ (Original Peoples) in ways that call for more than superficial recognition and actions?
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How do agents of colonialism target ᑲᓇᒋ ᐊᓂᔑᓂᓂᐃᐧ ᐃᔑᒋᑫᐃᐧᓇᐣ (sacred Nishnaabe practices) of knowing and learning in their attempts to erase, dehumanize, and eliminate ᐊᓂᔑᓇᐯᐠ (Nishnaabeg)?