Braiding the Strands
Notice how Mona Stonefish finishes her story
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How does Mona Stonefish challenge the construction of ᓂᑕᑦ ᐊᓂᔑᓂᓂᐊᐧᐠ (First Nations people) as damaged victims?
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How does she signal the strength and power of ᐊᓂᔑᓇᐯᐠ (Nishnaabeg) moving together with other First Nations and settler women who do not fit white colonial settler frameworks?
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How does Mona Stonefish assert ᐊᓂᔑᓇᐯ (Nishnaabe) views of ᐅᑭᒪᐃᐧᐣ (governance), ᐊᐧᑯᒥᐁᐧᐃᐧᐣ (relationship), ᐃᔑᑭᔐᐧᐃᐧᐣ, ᐃᓇᑎᓯᐃᐧᐣ, ᒥᓇ ᑫᑌ ᐃᔑᒋᑫᐃᐧᓇᐣ (language, culture, and traditions)?